Guilty Pleasures
By Associated Press
Perry’s assistant among five people, including two doctors, charged in ‘Friends’
star’s death
LOS ANGELES | A prosecutor says five people have been charged in connection with Matthew Perry’s death from a ketamine overdose last year, including the actor’s assistant and two doctors.
U.S. Attorney Martin Estrada announced the charges Thursday, saying the doctors supplied Perry with a large amount of ketamine and even wondered in a text message how much the former “Friends” star would be willing to pay.
“These defendants took advantage of Mr. Perry’s addiction issues to enrich themselves. They knew what they were doing was wrong,” Estrada said.
Perry died in October due to a ketamine overdose and received several injections of the drug on the day he died from his live-in personal assistant. The assistant, Kenneth Iwamasa, is the one who found Perry dead later that day.
Two of the people, including one of the doctors charged, have been arrested, Estrada said. Two of the defendants, including Iwamasa, have pleaded guilty to charges already, and a third person has agreed to plead guilty.
Iwamasa’s attorneys did not immediately return a message seeking comment.
The prosecutor said the defendants exchanged messages soon after Perry’s death referencing ketamine as the cause of death. Estrada said they tried to cover up their involvement in supplying Perry ketamine, a powerful anesthetic that is sometimes used to treat chronic pain and depression.
Los Angeles police said in May that they were working with the U.S. Drug Enforcement Administration and the U.S. Postal Inspection Service with a probe into why the 54-year-old had so much of the surgical anesthetic in his system.
Iwamasa found the actor face down in his hot tub on Oct. 28, and paramedics who were called immediately declared him dead.
His autopsy, released in December, found that the amount of ketamine in his blood was in the range used for general anesthesia during surgery.
The decades-old drug has seen a huge surge in use in recent years as a treatment for depression, anxiety and pain. People close to Perry told coroner’s investigators that he was undergoing ketamine infusion therapy.
But the medical examiner said Perry’s last treatment 1 1/2 weeks earlier wouldn’t explain the levels of ketamine in his blood. The drug is typically metabolized in a matter of hours. At least two doctors were treating Perry, a psychiatrist and an anesthesiologist who served as his primary care physician, the medical examiner’s report said. No illicit drugs or paraphernalia were found at his house.
Ketamine was listed as the primary cause of death, which was ruled an accident with no foul play suspected, the report said. Drowning and other medical issues were contributing factors, the coroner said.
Perry had years of struggles with addiction dating back to his time on “Friends,” when he became one of the biggest television stars of his generation as Chandler Bing alongside Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc and David Schwimmer for 10 seasons from 1994 to 2004 on NBC’s megahit sitcom.
Drug-related celebrity deaths have in other cases led authorities to prosecute the people who supplied them.
After rapper Mac Millerdied from an overdose of cocaine, alcohol and counterfeit oxycodone that contained fentanyl, two of the men who provided him the fentanyl were convicted of distributing the drug. One was sentenced to more than 17 years in federal prison, the other to 10 years.
And after Michael Jackson died in 2009 from a lethal dose of propofol, a drug intended for use only during surgery and other medical procedures, not for the insomnia the singer sought it for, his doctor, Conrad Murray, was convicted of involuntary manslaughter in 2011. Murray has maintained his innocence.
‘Hollywood Squares’ host and Broadway star Peter Marshall dies at 98
LOS ANGELES | Peter Marshall, the actor and singer turned game show host who played straight man to the stars for 16 years on “The Hollywood Squares,” has died. He was 98.
He died Thursday of kidney failure at his home in the Encino neighborhood of Los Angeles, publicist Harlan Boll said.
Marshall helped define the form of the smooth, professional, but never-too-serious modern game show host on more than 5,000 episodes of the series that ran on NBC from 1966 to 1981.
But he was often closer to a talk show host, and the tic-tac-toe game the contestants played, while real, was all an excuse for a good time. The questions Marshall posed to regulars like Paul Lynde, George Gobel and Joan Rivers were designed to be set-ups for joke answers before the real ones followed.
Oh, babies. New Dr. Seuss Babies merchandising line includes everything from board books to diapers
NEW YORK | The latest Dr. Seuss releases are designed for the very youngest audience.
On Thursday, Dr. Seuss Enterprises and Random House Children’s Books announced the launch of Dr. Seuss Babies, which includes interactive board books, a video series called “Learn to Read” and even a line of diapers, onesies and feeding solutions.
“Learn to Read” debuts Friday on the Dr. Seuss YouTube channel.
“Babies and toddlers love to discover the world around them. Dr. Seuss Babies will help them explore, learn and laugh. Our hope is that this brand inspires and delights a new generation.” Susan Brandt, president and CEO of Dr. Seuss Enterprises, said in a statement.
The first board book, “Happy First Birthday!”, will be published Jan. 7, 2025. Other board books scheduled for next year include “Mr. Brown On the Farm” and “Happy Grinchmas, Baby!” Three more books are expected in 2026.
“We are so excited to bring this adorable new line of books to the youngest of Dr. Seuss fans,” Alice Jonaitis, executive editor of Dr. Seuss Publishing at Random House, said in a statement. “With the eye-catching new art style, the beloved characters have become even more baby-friendly and will help nurture a love of reading at the earliest age.”
Rowlands, acting powerhouse and star of movies by her director-husband, Cassavetes, dies
Gena Rowlands, hailed as one of the greatest actors to ever practice the craft and a guiding light in independent cinema as a star in groundbreaking movies by her director husband, John Cassavetes, and who later charmed audiences in her son’s tear-jerker “The Notebook,” has died. She was 94.
Rowlands’ death was confirmed Wednesday by representatives for her son, filmmaker Nick Cassavetes. He revealed earlier this year that his mother had Alzheimer’s disease. TMZ reported that Rowlands died Wednesday at her home in Indian Wells, California.
Operating outside the studio system, the husband-and-wife team of John Cassavetes and Rowlands created indelible portraits of working-class strivers and small-timers in such films as “A Woman Under the Influence,” “Gloria” and “Faces.”
Rowlands made 10 films across four decades with Cassavetes, including “Minnie and Moskowitz” in 1971, “Opening Night” in 1977 and “Love Streams” in 1984.
She earned two Oscar nods for two of them: 1974’s “A Woman Under the Influence,” in which she played a wife and mother cracking under the burden of domestic harmony, and “Gloria” in 1980, about a woman who helps a young boy escape the mob.
“He had a particular sympathetic interest in women and their problems in society, how they were treated and how they solved and overcame what they needed to, so all his movies have some interesting women, and you don’t need many,” she told the AP in 2015.
In addition to the Oscar nominations, Rowlands earned three Primetime Emmy Awards, one Daytime Emmy and two Golden Globes. She was awarded an honorary Academy Award in 2015 in recognition of her work and legacy in Hollywood. “You know what’s wonderful about being an actress? You don’t just live one life,” she said at the podium. “You live many lives.”
A new generation was introduced to Rowlands in her son’s blockbuster “The Notebook,” in which she played a woman whose memory is ravaged, looking back on a romance for the ages. Her younger self was portrayed by Rachel McAdams. (She also appeared in Nick Cassavetes’ “Unhook the Stars” in 1996.)
In her later years, Rowlands made several appearances in films and TV, including in “The Skeleton Key” and the detective series “Monk.” Her last appearance in a movie was in 2014, playing a retiree who befriends her gay dance instructor in “Six Dance Lessons in Six Weeks.”
One of her career triumphs was 1974’s “A Woman Under the Influence,” playing a lower middle-class housewife who, the actor said, “was totally vulnerable and giving; she had no sense of her own worth.” In “Gloria” (1980) she portrayed a faded showgirl menaced by her ex-boyfriend, a mobster boss. She was Oscar nominated as best actress for both performances.
She and Cassavetes met at the American School of Dramatic Arts when both their careers were beginning. They married four months later. In 1959 Cassavetes used his earnings from the TV series “Johnny Staccato” to finance his first film, “Shadows.” Partly improvised, shot with natural light on New York locations with a $40,000 budget, it was applauded by critics for its stark realism.
Gena (pronounced Jenna) Rowlands became a seasoned actor through live television drama and tours in “The Seven Year Itch” and “Time for Ginger” as well as off-Broadway.
Her big break came when Josh Logan cast her opposite Edward G. Robinson in Paddy Chayefsky’s play “Middle of the Night.” Her role as a young woman in love with her much older boss brought reviews hailing her as a new star.
MGM offered her a contract for two pictures a year. Her first film, a comedy directed by and costarring Jose Ferrer, “The High Cost of Loving,” brought Rowlands comparisons to one of the great 1930s stars, Carole Lombard.
But she asked to be released from her contract because she was expecting a baby. Often during her career she would absent herself from the screen for long stretches to attend to family matters.
In addition to Nick, she and Cassavetes had two daughters, Alexandra and Zoe, who also pursued acting careers.
John Cassavetes died of cirrhosis of the liver in 1989, and Rowlands returned to acting to assuage her grief. Between assignments she sometimes attended film festivals and societies for Cassavetes screenings.
“I want everyone to see his films,” she said at the San Sebastian Festival in 1992. “John was one of a kind, the most totally fearless person I’ve ever known. He had a very specific view of life and the individuality of people.”
Virginia Cathryn Rowlands was born in 1930 (some sources give a later date) in Cambria, Wisconsin, where her Welsh ancestors had settled in the early 19th century. Her father was a banker and state senator. She was a withdrawn child who loved books and make-believe. Her mother encouraged the girl’s ambition to become an actor.
Rowlands quit the University of Wisconsin in her junior year to pursue an acting career in New York. Like other actors of her generation, she gained invaluable experience in the thriving field of television drama in the 1950s, appearing on all the major series.
After leaving her MGM contract, she was able to choose her film roles. When nothing attracted her, she appeared in TV series such as “Alfred Hitchcock Presents,” “Bonanza,” “Dr. Kildare” and “The Virginian.” One of her career delights was co-starring with her icon Bette Davis on the TV movie “Strangers” in 1979.
Her other movies included “Lonely Are the Brave” with Kirk Douglas, “The Spiral Road” (Rock Hudson), “A Child Is Waiting” (with Burt Lancaster and Judy Garland, directed by Cassavetes), “Two Minute Warning” (Charlton Heston), “Tempest” (co-starring with Cassavetes and Molly Ringwald, in her screen debut) and the mother who wants to do right by her children in Paul Schrader’s 1987 study of a blue-collar family, “Light of Day.”
In middle age and beyond, Rowlands continued playing demanding roles. In Woody Allen’s austere drama “Another Woman” she was cast as a writer whose life has been shielded from emotion until dire incidents force her to deal with her feelings. In the groundbreaking TV movie “An Early Frost,” she appeared as a mother confronting her son’s AIDS.
Rowlands commented in 1992 that her roles remained in her memory.
“Sometimes, those white nights when I have no sleep and a lot of time to think about everything, I’ll examine different possibilities of different characters and what they might be doing now,” she said.
—From AP reports
