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Guilty Pleasures

Sean ‘Diddy’ Combs arrives at the LA Premiere of ‘The Four: Battle For Stardom’ in 2018 at the CBS Radford Studio Center in Los Angeles.
Willy Sanjuan/Invision/AP
Sean ‘Diddy’ Combs arrives at the LA Premiere of ‘The Four: Battle For Stardom’ in 2018 at the CBS Radford Studio Center in Los Angeles.

By NewsPress Now

Diddy admits beating ex-girlfriend Cassie, says he’s sorry

LOS ANGELES | Sean “Diddy” Combs admitted that he beat his ex-girlfriend Cassie in a hotel hallway in 2016 after CNN released video of the attack, saying in a video apology he was “truly sorry” and his actions were “inexcusable.”

“I take full responsibility for my actions in that video. I was disgusted then when I did it. I’m disgusted now,” the music mogul said in a video statement posted Sunday to Instagram and Facebook.

The security video aired Friday shows Combs, wearing only a white towel, punching and kicking Cassie, an R&B singer who was his protege and longtime girlfriend at the time. The footage also shows Combs shoving and dragging Cassie, and throwing a vase in her direction.

Cassie, whose legal name is Cassandra Ventura, sued Combs in November over what she said was years of sexual, physical and emotional abuse. The suit was settled the next day, but spurred intense scrutiny of Combs, with several more lawsuits filed in the following months, along with a federal criminal sex-trafficking investigation that led authorities to raid Combs’ mansions in Los Angeles and Miami.

He had denied the allegations in the lawsuits, but neither he nor his representatives had responded to the newly emerged video until Sunday.

“It’s so difficult to reflect on the darkest times in your life, but sometimes you got to do that,” Diddy says on the video. He adds, “I went and I sought out professional help. I got into going to therapy, going to rehab. I had to ask God for his mercy and grace. I’m so sorry. But I’m committed to be a better man each and every day. I’m not asking for forgiveness. I’m truly sorry.”

Combs is looking somber and wearing a T-shirt in the selfie-style apology video, and appears to be on a patio. It is the hip-hop mogul’s most direct response and first apology after six months of allegations that have threatened his reputation and career.

Meredith Firetog, who represents Ventura and other women who have sued Combs, said the apology was “more about himself than the many people he has hurt.

“When Cassie and multiple other women came forward, he denied everything and suggested that his victims were looking for a payday,” the lawyer said in a statement. “That he was only compelled to ‘apologize’ once his repeated denials were proven false shows his pathetic desperation, and no one will be swayed by his disingenuous words.”

In December, after Ventura and at least three other women had filed lawsuits against him, Combs posted a statement on Instagram broadly denying the truth of all of them.

“Let me absolutely clear. I did not do any of the awful things being alleged,” that post said.

The security camera video, dated March 5, 2016, closely resembles the description of an incident at an InterContinental Hotel in the Century City area of Los Angeles described in Ventura’ lawsuit.

The suit alleges that Combs paid the hotel $50,000 for the security video immediately after the incident. Neither he or his representatives have addressed that specific allegation. CNN did not say how it obtained the footage.

The suit said Ventura had been trying to get away from a sleeping Combs, who had already punched her in the face before the video began.

Combs is not in danger of being criminally prosecuted for the beating. The statutes of limitations for the assault and battery charges he would be likely to face expired years ago.

The same is true of many of the allegations in the lawsuits, but the federal investigators following Combs are likely looking for potential crimes they can bring under the law.

Ventura signed to Diddy’s label in 2005. The two had an on-again-off-again romantic relationship for more than a decade starting in 2007.

John Krasinski’s ‘IF’ hits a box office nerve with $35 million debut

John Krasinski’s imaginary friends movie “IF” claimed the top spot at the box office this weekend according to studio estimates Sunday. Its $35 million North American debut was also a bit lower than some projections.

Is that a disappointment? An ominous sign of the box office times? Or is the final story on “ IF “ yet to be written? It’s not just your imagination: In these bumpy early weeks of the 2024 summer box office season, in which nothing has been a runaway hit and every new movie has more and more pressure to succeed, “IF” hit a nerve.

Starring Ryan Reynolds, Cailey Fleming, and an army of A-list voices including Steve Carell, Matt Damon, Emily Blunt, Louis Gossett Jr., Phoebe Waller-Bridge and Maya Rudolph, “IF” was an original idea from Krasinski, who wrote, directed and co-stars.

Paramount debuted the film, which cost a reported $110 million to produce, in 4,041 locations in North America. Internationally, it earned an estimated $20 million from 56 markets, adding up to a $55 million global debut.

“Families came out in force and they loved the film,” said Chris Aronson, who heads Paramount’s domestic distribution.

There are several somewhat contradictory narratives swirling around its performance as well. With its PG-rating, “IF” was the first major family friendly film to open in theaters in weeks. And unlike a front-loaded superhero or horror movie, family pics are often running a marathon not a sprint. Last June, Pixar’s “Elemental” was assumed to be dead on arrival when it opened with $29.5 million domestically. But it continued earning throughout the summer and ultimately made nearly $500 million globally.

“IF” got middling reviews from critics (it’s currently sitting at a “rotten” 49% on Rotten Tomatoes), but, as with “Elemental,” audiences gave it a solid A CinemaScore this weekend. The studio considers it a successful debut and is optimistic about its longevity as summer actually begins for school age children.

“I think it bodes well for moviegoing in general as we move into the summer movie season,” Aronson said. “Kids are out of school starting this coming week and I couldn’t think of a better film to be in the marketplace than this one: It’s new, it’s fresh, its original, and it’s such a heartwarming film.”

“ Kingdom of the Planet of the Apes “ continues to be a bright spot. In just 10 days, it surpassed $100 million domestically and $237 million globally. It came in second place in its second weekend with $26 million (down 55%).

But there also hasn’t been a major movie moment akin to last year’s “The Super Mario Bros. Movie,” “Barbie” or “Oppenheimer” in quite some time. Last year on this weekend “Fast X” opened to over $60 million.

“This is a very unusual summer. It got off to an unusual start without a Marvel movie,” said Paul Dergarabedian, the senior media analyst for Comscore. “The box office has been in a holding pattern 20% down from last year.”

“IF” wasn’t the only new film to open this weekend either. Lionsgate’s horror “The Strangers—Chapter 1” overperformed with a $12 million debut from 2,856 locations. The innovative marketing campaign staged some viral moments by bringing the “strangers” to major events, from the Trump trial to Coachella.

The Amy Winehouse biopic “ Back to Black “ opened in North America to an estimated $2.9 million from 2,010 screens.

The filmed-for-IMAX documentary “ The Blue Angels “ also made $1.3 million this weekend from 227 screens. It’s playing on the premium large format screens through May 22 before flying to Prime Video on May 23.

The summer, which for Hollywood begins the first weekend in May, is still getting started and could rev up next weekend with the infusion of “Furiosa: A Mad Max Saga” and “The Garfield Movie.”

Dergarabedian noted that Memorial Day weekend is a time when moviegoers play can play catch up with films they’ve missed and heard about. For a film like “IF,” which picked up over the weekend with word of mouth buzz, that could bode well. Still, there is no sugar-coating the reality that the 2024 box office is not going to build on 2023.

“On almost every level this is a non-traditional summer in the lineup of films and the trajectory of the box office,” Dergarbedian said. “But collectively these films should have a solid Memorial weekend.”

Disneyland workers in California vote to join labor union

ANAHEIM, Calif. | Disneyland performers who help bring Mickey Mouse, Cinderella and other beloved characters to life at the Southern California resort chose to unionize following a three-day vote culminating on Saturday.

The Actors’ Equity Association labor union said in a statement Saturday that cast members for the parades and characters departments at Disney’s theme parks near Los Angeles voted by a wide margin for the union to become the bargaining agent for the group of roughly 1,700 workers.

An association website tracking the balloting among cast members indicated passage by 78.7% (953 votes) in favor and 21.3% (258 votes) opposed.

“They say that Disneyland is ‘the place where dreams come true,’ and for the Disney Cast Members who have worked to organize a union, their dream came true today,” Actors’ Equity Association President Kate Shindle said in a statement Saturday night.

Shindle called the workers the “front lines” of the Disneyland guest experience. The association and cast members will discuss improvements to health and safey, wages, benefits, working conditions and job security before meeting with Walt Disney Company representatives about negotiating the staff priorities into a contract, she said.

The union already represents theatrical performers at Disney’s Florida parks.

Barring any election challenges, the regional director of The National Labor Relations Board will certify the results within a week, the association said.

The NLRB did not immediately respond to an email from The Associated Press seeking confirmation or additional information about the vote.

The election took place on Wednesday, Thursday and Saturday in Anaheim, California, after workers earlier this year filed cards to form the unit called “Magic United.”

Parade and character workers who promoted unionizing said they love helping to create a magical experience at Disneyland but grew concerned when they were asked to resume hugging visitors after returning to work during the coronavirus pandemic. They said they also suffer injuries from complex costumes and erratic schedules.

Most of the more than 35,000 workers at the Disneyland Resort, including cleaning crews, pyrotechnic specialists and security staff, are already in labor unions. The resort includes Disneyland, which is the Walt Disney Co.’s oldest theme park, as well as Disney California Adventure and the shopping and entertainment district Downtown Disney in Anaheim.

In recent years, Disney has faced allegations of not paying its Southern California workers, who face exorbitant housing costs and often commute long distances or cram into small homes, a livable wage. Parade performers and character actors earn a base pay of $24.15 an hour, up from $20 before January, with premiums for different roles.

Union membership has been on a decades-long decline in the United States, but organizations have seen growing public support in recent years during high-profile contract negotiations involving Hollywood studios and Las Vegas hotels. The NLRB, which protects workers’ right to organize, reported more than 2,500 filings for union representation during the 2023 fiscal year, which was the highest number in eight years.

The effort to organize character and parade performers in California came more than 40 years after those who play Mickey, Goofy and Donald Duck in Florida were organized by the International Brotherhood of Teamsters, a union traditionally known to represent transportation workers.

At that time, the Florida performers complained about filthy costumes and abuse from guests, including children who would kick the shins of Disney villains such as Captain Hook.

Man charged with punching actor Steve Buscemi is held on $50,000 bond

NEW YORK | The man charged with assaulting actor Steve Buscemi on a Midtown street has been held in jail on bond in New York, prosecutors said.

Police have said the 66-year-old actor — known for his roles in “Boardwalk Empire,” and “Fargo,” among other performances — was walking in Manhattan on May 8 when a stranger punched him in the face. Police arrested a man Friday in connection with the assault, three days after having released a photo of the suspect.

Buscemi’s publisher has confirmed the attack, and said the actor was treated at a hospital with injuries to his eye but was otherwise okay.

The accused man, who is 50 years old, was arraigned on Saturday and the judge set bail at $50,000, prosecutors said. It was unclear if the defendant had a lawyer who could speak for him. A phone message has been left with the local public defender’s office. The suspect is due back in court on Thursday.

The criminal complaint alleges the man punched two people at the time, but authorities did not name them. It also says the attack on Buscemi was captured by surveillance video.

In March, Buscemi’s “Boardwalk Empire” co-star Michael Stuhlbarg was attacked, by a different stranger. The person allegedly hit him in the back of the neck with a rock in Manhattan’s Central Park.

—From AP reports

Article Topic Follows: AP Briefs

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